Films

Award-winning ethnographic caleidoscope featuring over 50 different masquerades of some 13 European countries. Thanks to some careful editing, the underlying structure of European winter masked

Patsch is only place in the whole of Tyrol, where a company of women takes on the lead role of the Carnival parade. This film is part of **Carnival King of Europe DVD 5 PARADING THE VILLAGE**. On

Due to the strict Jesuit prohibitions in olden days, the central Tyrol Fasnacht tends to ends on Shrove Thursday, a few days earlier than elsewhere. This film is part of **Carnival King of Europe

The Koza or Goat is animal that gives the masquerade its name throughout Eastern Europe, from Romania to Moldavia and the Ukraine, and all the way to northern Poland where we filmed it. This film

On the day of the Epiphany, a grand parade half-way between Christianity and paganism is staged, incorporating all the ancient characters of Alpine fables, the Twelve Days of Christmas, and the Three

After ploughing and sowing, there follows harvesting and threshing, with a very dignified threshing squad ritually touring the village inns. This film is part of **Carnival King of Europe DVD 4

The Schnabelperchten of Rauris in the Salzburger Alps are mysterious, spiteful figures who appear out of nowhere with their brooms, and go round every house to perform a simple and effective

In Journey into Europe, Akbar Ahmed, a world-renowned anthropologist, Islamic scholar, and filmmaker who the BBC has called “the world’s leading authority on contemporary Islam,” explores Islam

The everyday life of migrant fun fair operators is the filter through which we view the social and economic factors of the 20th and early 21st century that define the life and work of this social

"Men at Work" depicts the daily working life of one of the few remaining institutions in Austria that still employs only men. They are responsible for a 39 km stretch of Austria’s biggest

*’Across the Tracks’ is a gripping film for the general viewer. It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to

This film looks at the meaning of ‘home’ in the Czech Republic through the eyes of two women – one an old woman trying to assert her right to return home from an old person’s residence, and the